Spring, Ritual, and the Great Mystery

P1050397When I first began learning the ways of shamanism, more than thirty years ago, my Cherokee teacher used to speak to me about the similarities between Buddhism and Native American thinking. She was particularly fascinated by Tibetan Buddhism, and had traveled to Asia to meet with Tibetan teachers. I was intrigued, but not particularly interested in learning more. I was still trying to sort out my relationship to Native America. Adding Buddhism to the mix was quite simply beyond me.

Recently, I’ve been reading Bringing Zen Home, by Paula Kane Robinson Arai. The book is a marvelous piece of ethnographic writing examining the ways a group of Japanese women use domestic zen practices as healing tools. If one only read the early sections on ritual, the book would be a worthy purchase. Reading Arai’s words reminded me of my first teacher. I imagine she would love the book, especially the author’s focus on gratitude,  joy, kindness, and ritual as sources of connection to All That Is. She would also, I believe, deeply appreciate the discussion of Dogen, and his weaving together of form and formlessness.

This week Nature gave expression to the form/formlessness paradox. A few days ago there were buds on the trees, then in a single day, as if arising from nothing, innumerable umbrels of furled leaf and flower replaced them. The umbrels, in turn, transformed into flowers in full bloom, then immature seeds. Now the trees have largely leafed out; the entire process seemed to occur overnight, a green, fiery, big bang. Engaging Nature’s seasonal changes, we are reminded that the progression of the year is a ritual, encompassing and illuminating the patterns of Self as we unfurl, transform, and perhaps, seek rebirth. Our very lives enact, and reenact, the great patterns of the natural world.

I’ve also been reading Patrisia Gonzales’ Red Medicine: Traditional Indigenous Rites of Birthing and Healing. In this volume Gonzales reminds us that human birth is another expression of the paradox. We know how pregnancy happens, yet the miracle of personhood challenges any simple reductionism. In quite a few Native traditions reincarnation is a given. One just expects those who pass on to be reborn to the family line, often announcing their intent by appearing to their prospective mother in a dream. Life and death are doors through which we pass, nothing more than state changes. Yet we do not know, ultimately, where we come from or whither we go; that remains a Great Mystery, of which we are all, innately, a part.

In their respective books Arai and Gonzales discuss ritual as serving to connect women to the Great Mystery, and in so doing, offering the possibility of an expanded perspective and healing. Their ideas echo those offered me by teachers in Native traditions from both North and South America, although rather than the term, “ritual”, my teachers often utilized “ceremony”.  As a mature practitioner, I encourage those who come to me for healing to create meaningful rituals in their daily lives, to “practice.” I also strongly advocate for ceremony. Like ritual, ceremony seeks to make evident the sacred nature of our lives, to encourage gratitude, and to embody participants in the experience of self as cosmos. When rituals and cerem0ny work, we are transported into an awareness of being part of, and supported by, All That Is. Of the two, perhaps ceremony is more social, often engaging communities in support of those seeking healing.

Reading the work of these thoughtful authors has reminded me of  my first teacher’s wisdom, insight, and clarity. Looking back those many years, I now see her efforts to broaden my perception in a new, more favorable light. I am grateful for her kindness and teachings.

- Michael Watson

© 2013, essay and all photographs include the portrait below, Michael Watson, All rights reserved

michael drumMICHAEL WATSON M.A., Ph.D., LCMHC (Dreaming the World) ~ is a contributing editor to Into the Bardo, an essayist and a practitioner of the Shamanic arts, psychotherapist, educator and artist of Native American and European descent. He lives and works in Burlington, Vermont, where he teaches in undergraduate and graduate programs at Burlington College,. He was once Dean of Students there. Recently Michael has been teaching in India and Hong Kong. His experiences are documented on his blog. In childhood he had polio, an event that taught him much about challenge, struggle, isolation, and healing.

Contemplative Photography: Listen with the Eye of the Heart

Contemplative photography is a practice I try to observe. So often, I end up reserving it for vacation times. However, with the advent of phone cameras and the increased capabilities they have, contemplative photography is at my fingertips every day! I am reading a book on contemplative photography and would like to share some of the thoughts it is stirring in me and the information it has. The book is Eyes of the Heart: Photography as a Christian Contemplative Practice by Christine Valters Paintner. You can find her at Abbey of the Arts.

Contemplative seeing is described by Carmelite William McNamara as a “long loving look at the real.” Let’s think about what each one of these words means.

  • Long – to see, we need to slow down and notice our surroundings, immerse ourselves into the moment
  • Loving – to see clearly, we need to have a compassion filter that sees beauty in all things, the horrible and the joyful
  • Look at the real – to see things as they are, not how we want them to be

Contemplative seeing also requires a journey from the head down into the heart.

In Buddhism, there is a practice of contemplative photography called Miksang. This is Tibetan for “good eye.” Miksang has the goal of looking at the real without judgement or distinctions like “beautiful” or “ugly.” The goal is to see things as they are without attaching value judgments and to appreciate it. This opens up a third space, seeing things in a creative new way. I am reminded of a visit I made to the women’s prison. It was a spectacular Pacific Northwest day. Brilliant blue skies. Inside the prison, walking across the grounds, I looked up and saw the razor wire. At the same time it was incredibly beautiful and incredibly repulsive. That is the tension that the “good eye” brings.

freedom in the penitentiary

robin sitting still
between barbs of sharpened steel
her spirit will soar

In Christianity, this “good eye” is termed the “third eye” by Richard Rohr. He describes it as the moment when “our heart space, our mind space, and our body awareness are all simultaneously open and non-resistant. I like to call it presence. It is experienced as a moment of deep inner connection, and it always pulls you, intensely satisfied, into the naked and undefended now, which can involve both profound joy and profound sadness. At that point, you either want to write poetry, pray, or be utterly silent.”

The monk, Thomas Merton, started practicing contemplative photography and he said, “How the blank side of a frame house can be so completely beautiful I cannot imagine. A completely miraculous achievement of forms.” Perhaps the good eye or the third eye is simply seeing the miracle.

All this is quite a lead up to the offering I have today of a contemplative photograph. I am going to offer an image and then I encourage you to visit one from Thomas Merton he titled “Sky Hook” and described as the “Only known photograph of God.”

After entering the photograph(s), please consider sitting with the feeling that is created when you shift from head seeing to heart seeing. Gaze lightly into the distance without focusing on any one thing. Be present to the real. After you have considered these photographic offerings, perhaps you would consider gazing around you, holding compassion in your heart and seeing something beautiful. If you have your camera, great! If not, consider the magical moment of holding the image in your heart and then releasing it.

Community

Community

Reflection: What, if anything, has changed? How was the journey from head to heart?

Shalom and Amen.

Chaplain Terri

© 2013, post and photographs, Terri Stewart, All rights reserved

Terri Stewart

Terri Stewart

TERRI STEWART is Into the Bardo’s  Sunday evening chaplain. You can expect a special post from her each week. She comes from an eclectic background and considers herself to be grounded in contemplation and justice. She is the Director and Founder of the Youth Chaplaincy Coalition that serves youth affected by the justice system. As a recent graduate of Seattle University’s School of Theology and Ministry, she earned her Master’s of Divinity and a Post-Master’s Certificate in Spiritual Direction with honors and is a rare United Methodist student in the Jesuit Honor Society, Alpha Sigma Nu. She is a contributing author to the Abingdon Worship Annual.

Her online presence is “Cloaked Monk.” This speaks to her grounding in contemplative arts (photography, mandala, poetry) and the need to live it out in the world. The cloak is the disguise of normalcy as she advocates for justice and peace. You can find her at www.cloakedmonk.com,www.twitter.com/cloakedmonk, and www.facebook.com/cloakedmonk.  To reach her for conversation, send a note to cloakedmonk@outlook.com.